Jakarta,
Nov 29, 2018 (Antara) - Indonesia, as the largest economy in South East Asia
and the fourth most populous country in the world, has huge potential to
further develop its creative economy.
In
contrast to other sectors that are heavily dependent on the
exploitation of natural resources, the strength of creative economy is
based largely on the superiority of human resources. Artwork,
architecture, books, technological innovations, and animations, derive
from creative ideas of human thought.
Given
the country's potential, the Joko Widodo (Jokowi) administration is
determined to make the creative economy a backbone of the Indonesian
economy.
To
this end, President Jokowi established a new non-ministerial
institution called the Creative Economy Agency (Bekraf) on January 20,
2015, with tasks including assisting the president in formulating,
defining, coordinating, and synchronizing policies in the creative
economy.
Bekraf has envisioned to build Indonesia into one of the world's economic forces in the creative economy in 2030.
To
realize this vision, Bekraf has designed six major missions, including
by encouraging innovation in the creative field that has added value and
competitiveness in the international world.
As
Indonesia believes that it is the time for global community to take up
and seriously discuss opportunities and challenges of the creative
economy, the country initiated the World Conference on Creative Economy
(WCCE) held in Nusa Dua, Bali, on November 6-8, 2018.
During
the conference, at least 15 hundred participants from 30 countries
vowed to promote stronger international political commitments to address
challenges and seize opportunities in the creative economy.
"In
this era of globalization and advanced technology, the creative
industry has become a game changer. As one of the most dynamic sectors,
creative economy contributes significantly to the economic growth in
many countries," Triawan Munaf, Bekraf chairman, stated in his opening
remarks at the 1st WCCE themed "Inclusively Creative" and closed by
issuing recommendations called "Bali Agenda for Creative Economy."
The 1st WCCE was the first of its kind to gather all related stakeholders of creative economy, including young entrepreneurs, academicians, government officials, and the media.
The 1st WCCE was the first of its kind to gather all related stakeholders of creative economy, including young entrepreneurs, academicians, government officials, and the media.
Indonesia
is the official owner of the WCCE brand, and the world-class creative
economic conference can be organized abroad.
"This
brand has been recognized by the United Nations Conference on Trade and
Development (UNCTAD). This conference has been recognized, and they
hope that the conference will be held regularly," Munaf noted.
The second WCCE will be organized in Dubai, the United Arab Emirates, in 2020, according to Munaf.
Dubai
is viewed as a suitable location for holding the WCCE due to being
strategically located, coupled with the availability of sound facilities
and infrastructure.
Moreover,
Indonesia, which owns the WCCE brand, is keen to see a country that has
transformed from a natural resources-based economy into a creative
economy one.
"We
also want to see a transformation of an Arab country, such as Saudi,
which has been transformed from an oil to a creative industry base," he
stated.
Bogota, the capital of Colombia, is also interested in hosting the next WCCE.
Meanwhile,
during the conference, Indonesia proposed the establishment of a center
of excellence for the creative economy.
"The
Indonesian government is fully committed to playing a greater role in
the development of the global creative economy. I hope the WCCE can be a
catalyst in gathering global commitments to form a center of excellence
for the creative economy that contributes positively to the formation
of a better and inclusive global economy," Munaf revealed.
Indonesian
Foreign Minister Retno Marsudi, co-host of the First WCCE along with
Munaf, in her opening speech expressed optimistic that Indonesia would
be able to become a creative economic capital in the Southeast Asia
region.
"I am certain that soon Indonesia would become a regional creative economic capital in Southeast Asia," Marsudi stated.
She
noted that Indonesia's rich cultural heritage allows the country to
develop creative industries, fashion, culinary, arts and crafts, and
entertainment.
The creative economic sector has contributed to more than 7.4 percent of Indonesia's gross domestic product (GDP).
In 2015, the sector had contributed Rp852 trillion to the GDP, while in 2016, the figure reached Rp923 trillion, and increased to Rp990 trillion in 2017. The figure is projected to reach up to Rp1 thousand trillion in 2018.
In 2015, the sector had contributed Rp852 trillion to the GDP, while in 2016, the figure reached Rp923 trillion, and increased to Rp990 trillion in 2017. The figure is projected to reach up to Rp1 thousand trillion in 2018.
The
creative economy industry has absorbed nearly 17 million workers, who
are nearly 14 percent of the total workforce, with more than 54 percent
of the creative economy workers being women.
Globally, the creative economy is larger than many people realize and it continues to grow.
A
study commissioned by the International Confederation of Societies of
Authors and Composers suggested that globally, creative industries
generate $2.25 trillion in revenue annually, and creative industries
employ 29.5 million people.
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(f001/INE)
EDITED BY INE
(T.F001/A/BESSR/R. Nasution) 29-11-2018
(f001/INE)
EDITED BY INE
(T.F001/A/BESSR/R. Nasution) 29-11-2018
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